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BOTTICELLI, Sandro
Italian Early Renaissance Painter, 1445-1510
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art.
Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary.
By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms. Related Paintings of BOTTICELLI, Sandro :. | The Birth of Venus (detail) ff | The Temptation of Christ | Paradise | The Birth of Christ | Paradise | Related Artists: Armand-Philippe-Joseph Bera1784-1836 Frederik de Moucheron(1633-2 January 1686) was a Dutch Golden Age landscape painter.
Frederik de Moucheron was the son of the painter Balthazar de Moucheron and Cornelia van Brouckhoven. His father came from a wealthy family of wine traders and is portrayed as one of the younger sons in the Moucheron Family portrait, 1563. Frederik trained with Jan Asselijn and became a landscape painter. He set off at age 22 for Paris, where he spent 3 years and then after a tour of Antwerp, Paris. and Lyon, he settled in 1659 in Amsterdam. In the same year he married Mariecke de Jouderville there and they had 11 children. He is buried in Amsterdam.
He painted French, Italian, and Dutch landscapes. To finish these scenes, contemporaries specialized in painting figures collaborated with him, such as Adriaen van de Velde in Amsterdam, Theodor Helmbreker in Paris, and at times Johannes Lingelbach, and Nicolaes Pieterszoon Berchem.
Philips WouwermanDutch Baroque Era Painter, 1619-1668
Dutch painter and draughtsman. He was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d 28 Sept 1642), whose two other sons, Pieter Wouwerman (1623-82) and Johannes Wouwerman (1629-66), also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or 'finder'). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods.
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